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Ebook The Traffic in Culture: Refiguring Art and Anthropology by George E. Marcus read! Book Title: The Traffic in Culture: Refiguring Art and Anthropology
The author of the book: George E. Marcus
Language: English
Format files: PDF
The size of the: 812 KB
Edition: University of California Press
Date of issue: December 21st 1995
ISBN: 0520088476
ISBN 13: 9780520088474

Read full description of the books The Traffic in Culture: Refiguring Art and Anthropology:

The essays in this collection signal a new relationship between anthropology and the study of art. The authors explore the boundaries and affinities between art, anthropology, representation, and culture, casting a critical, ethnographic light on the art worlds of the contemporary West and their "traffic" in non-Western objects.

Starting from the premise that the traditional anthropology of art has been developed within categories and practices of Western art worlds themselves, this volume develops a new framework for understanding how western art—its avant-gardes, scholars, commentators, and collectors—have appropriated anthropological subjects like the "primitive" and the "exotic other." The success of Australian Aboriginal acrylic paintings in the New York art world prompts Fred Myers to explore the circulation of indigenous art in the international market. Steven Feld looks at the contemporary world beat music scene and the commodification of remote music cultures. Carol Vance takes on the contentious struggles over art, censorship, obscenity, and the National Endowment for the Arts in the United States. George Marcus looks at the meaning of new, oppositional artwork in the context of the institutionalization of the avant-garde and postmodernism more generally.

In contrast to a previous anthropology of art concerned with representing non-Western objects to Western audiences, this volume uncovers the practices and processes that drive the Western art world itself.

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Ebook The Traffic in Culture: Refiguring Art and Anthropology read Online! My projects continue to be explicitly collaborative and therefore I have become interested generally in the nature of collaborations at the core of the contemporary practice of diverse ethnographic research. I am interested in participating with others in the systematic rearticulation, and in some sense, reinvention, of the norms and forms of the classic modality of research in social/cultural anthropology: fieldwork with the writing of ethnography as outcome.

And I am interested in this project specifically in the pedagogical framework of producing graduate dissertations in newer topical arenas.

I am interested in how the marginal, incomplete, and belated specialty of the cultural/ethnographic study of elites in anthropology (subsuming the early projects of my career, in Tonga, on capitalist dynasties etc.) has become the means of pursuing an anthropology of contemporary change in most topical arenas. It is the necessity of working with experts and counterparts of various kinds as an orientation to fieldwork along with an abiding interest in the conditions of ordinary ,often subatlern life that generates the complexities of multi-sited research about which I have written.

Thus, my older interest in elites has become reinvigorated by asking what kinds of knowledge and what kinds of active participations from particular elites a project of critical ethnography that exceeds this orienting focus wants. In recent collaborations, I have pursued this interest in inquiries involving Portuguese nobles, European politicians, Latin american artists, U.S. bankers, and Brazilian intellectuals.


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